{"product_id":"nine-inch-nails-pretty-hate-machine-2lp-2010-remaster-mint-m-mint-m","title":"Nine Inch Nails - Pretty Hate Machine (2LP 2010 Remaster) | Mint (M) Mint (M)","description":"\u003cp\u003eBRAND NEW\u003c\/p\u003e\r\n\r\n\u003cp\u003eLabel:    UMe – B0015099-01\u003cbr\u003e\r\nSeries:    NIN – HALO 02R-V\u003cbr\u003e\r\nFormat:    Vinyl, LP\u003cbr\u003e\r\nVinyl, LP, Single Sided\u003cbr\u003e\r\nAll Media, Album, Remastered, Reissue, Gatefold\u003cbr\u003e\r\nCountry:    US\u003cbr\u003e\r\nReleased:    Dec 7, 2010\u003cbr\u003e\r\nGenre:    Electronic\u003cbr\u003e\r\nStyle:    Industrial\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1        Head Like A Hole\u003cbr\u003e\r\nEngineer [Engineering] – Doug De Angelis*, Keith LeBlanc, Ken Quartarone, Kennan Keating\u003cbr\u003e\r\nProducer [Additional Remix Production] – Keith LeBlanc\u003cbr\u003e\r\nProducer [Production], Engineer [Engineering] – Flood\u003cbr\u003e\r\n4:59\u003cbr\u003e\r\nA2        Terrible Lie\u003cbr\u003e\r\nEngineer [Engineering] – Doug De Angelis*, John Fryer\u003cbr\u003e\r\nEngineer [Engineering], Producer [Production] – Flood\u003cbr\u003e\r\n4:38\u003cbr\u003e\r\nA3        Down In It\u003cbr\u003e\r\nEngineer [Engineering] – Kennan Keating, Trent Reznor\u003cbr\u003e\r\nMixed By [Mix], Producer [Production], Engineer [Engineering] – Adrian Sherwood\u003cbr\u003e\r\nProducer [Production], Engineer [Engineering] – Keith LeBlanc\u003cbr\u003e\r\n3:46\u003cbr\u003e\r\nA4        Sanctified\u003cbr\u003e\r\nEngineer – John Fryer\u003cbr\u003e\r\nGuitar [Drone Guitar At End] – Richard Patrick\u003cbr\u003e\r\n5:48\u003cbr\u003e\r\nB1        Something I Can Never Have\u003cbr\u003e\r\nEngineer – John Fryer\u003cbr\u003e\r\n5:54\u003cbr\u003e\r\nB2        Kinda I Want To\u003cbr\u003e\r\nEngineer [Engineering] – John Fryer, Keith LeBlanc, Ken Quartarone, Kennan Keating\u003cbr\u003e\r\n4:33\u003cbr\u003e\r\nB3        Sin\u003cbr\u003e\r\nEngineer [Engineering] – John Fryer, Keith LeBlanc, Ken Quartarone, Kennan Keating\u003cbr\u003e\r\nRemix – Keith LeBlanc\u003cbr\u003e\r\n4:06\u003cbr\u003e\r\nB4        That's What I Get\u003cbr\u003e\r\nEngineer [Engineering] – John Fryer\u003cbr\u003e\r\n4:30\u003cbr\u003e\r\nC1        The Only Time\u003cbr\u003e\r\nEngineer [Engineering] – John Fryer, Ken Quartarone, Kennan Keating\u003cbr\u003e\r\nProducer [Production], Engineer [Engineering] – Keith LeBlanc\u003cbr\u003e\r\n4:47\u003cbr\u003e\r\nC2        Ringfinger\u003cbr\u003e\r\nEngineer [Engineering] – John Fryer\u003cbr\u003e\r\n5:45\u003cbr\u003e\r\nC3        Get Down Make Love\u003cbr\u003e\r\nEngineer [Engineering] – Alien Jourgensen*, Jeff \"Critter\" Newell, Sean Beavan, Trent Reznor\u003cbr\u003e\r\nProducer [Production] – Hypo Luxa\u003cbr\u003e\r\nWritten-By – Freddie Mercury\u003cbr\u003e\r\n4:19\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressed By – United Record Pressing\u003cbr\u003e\r\nLacquer Cut At – Nashville Record Productions\u003cbr\u003e\r\nPhonographic Copyright ℗ – AF Circle C Fund, LLC\u003cbr\u003e\r\nCopyright © – AF Circle C Fund, LLC\u003cbr\u003e\r\nCopyright © – Arlovol Music\u003cbr\u003e\r\nCopyright © – Leaving Hope Music\u003cbr\u003e\r\nCopyright © – Penny Farthing Music\u003cbr\u003e\r\nCopyright © – Queen Music Ltd.\u003cbr\u003e\r\nLicensed To – Universal Music Enterprises\u003cbr\u003e\r\nRecord Company – UMG Recordings, Inc.\u003cbr\u003e\r\nRecorded At – Blackwing Studios\u003cbr\u003e\r\nRecorded At – Roundhouse Studios\u003cbr\u003e\r\nRecorded At – Right Track Studios, Cleveland\u003cbr\u003e\r\nRecorded At – Synchro Sound Studios\u003cbr\u003e\r\nRecorded At – Unique Recording\u003cbr\u003e\r\nRemastered At – Precision Mastering\u003cbr\u003e\r\nDistributed By – Universal Music Distribution\u003cbr\u003e\r\nArt Direction – Rob Sheridan (2)\u003cbr\u003e\r\nLacquer Cut By – WG*\u003cbr\u003e\r\nManagement [Exclusive Representation] – Rebel Waltz, Inc.*\u003cbr\u003e\r\nMastered By – Tom Baker (3)\u003cbr\u003e\r\nMixed By [Mix] – John Fryer (tracks: A2, A4 to B2, B4 to C2), Keith LeBlanc (tracks: A1, B2, B3, C1), Trent Reznor (tracks: A2, B2, B3, C1, C2)\u003cbr\u003e\r\nProducer [Production] – John Fryer (tracks: A4 to C2), Trent Reznor (tracks: A1 to B3, C1, C2)\u003cbr\u003e\r\nProgrammed By [Additional Synth Programming] – Flood (tracks: A2, B2), Tim Niemi (tracks: A2, B2)\u003cbr\u003e\r\nRemastered By [Remastering Preparation] – Blumpy\u003cbr\u003e\r\nSleeve [Original] – Gary Talpas\u003cbr\u003e\r\nWritten-By, Performer, Arranged By, Programmed By – Trent Reznor\u003cbr\u003e\r\nOriginal Release 1989.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHalo 02R-V\u003c\/p\u003e\r\n\r\n\u003cp\u003eComes with 11x11 lyric insert.\u003c\/p\u003e\r\n\r\n\u003cp\u003e℗© 1989,2010 Arlovol Music\/Leaving Hope Music, admin. by Penny Farthing Music (ASCAP).\u003cbr\u003e\r\nTrack C3 © Queen Music Ltd.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduced by Trent Reznor with Flood, John Fryer, Keith Leblanc, Adrian Sherwood.\u003cbr\u003e\r\nMastered by Tom Baker at Precision Mastering (Hollywood).\u003cbr\u003e\r\nStudios: The Right Track (Cleveland), Blackwing (London), Unique (New York), Synchro Sound (Boston), Roundhouse (London).\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditional catalog numbers -\u003cbr\u003e\r\nSide A: B0015099-01A\u003cbr\u003e\r\nSide B: B0015099-01B\u003cbr\u003e\r\nSide C: B0015099-01C\u003cbr\u003e\r\nSide D: B0015099-01D\u003c\/p\u003e\r\n\r\n\u003cp\u003eHype sticker -\u003cbr\u003e\r\nTHE CLASSIC DEBUT ALBUM\u003cbr\u003e\r\nNEWLY REMASTERED\u003cbr\u003e\r\nincludes\u003cbr\u003e\r\nHEAD LIKE A HOLE DOWN IN IT SIN TERRIBLE LIE\u003cbr\u003e\r\nGET DOWN MAKE LOVE\u003cbr\u003e\r\nB0015099-01\u003cbr\u003e\r\nBarcode (Text): 6 02527 56782 2\u003cbr\u003e\r\nBarcode (Scanned): 602527567822\u003c\/p\u003e\r\n\r\n\u003cp\u003eNine Inch Nails: Trent Reznor (vocals, various instruments). Additional personnel includes: Richard Patrick (guitar); Chris Vrenna (drums). Although Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, PRETTY HATE MACHINE, actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, \"Head Like a Hole,\" is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood. All of the tracks on PRETTY HATE MACHINE are based on synthesizer lines and programmed beats, with other elements--such as the distinctive bass on \"Sanctified\" and sampled explosions on \"That's What I Get\"--filling out the sound. Despite Reznor's morose lyrics, a number of HATE MACHINE's finest moments are energetic dance tunes, particularly \"Down in It\" and the surging \"Sin.\" Oddly enough, Reznor's fiercer--and seemingly less accessible--subsequent work (the BROKEN EP and THE DOWNWARD SPIRAL) led directly to his mainstream success, but PRETTY HATE MACHINE reveals where the Nine Inch Nails aesthetic started out.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eMedia Condition: Mint (M)\u003c\/li\u003e\n\u003cli\u003eSleeve Condition: Mint (M)\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: ROCK\u003c\/li\u003e\n\u003cli\u003eFormat Type: 2xLP\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/07\/2010\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Love Vinyl Records","offers":[{"title":"- METAL *SEALED*","offer_id":44151389716568,"sku":"TLEK5S-VD1U-00","price":41.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/4224\/2392\/files\/nine-inch-nails-pretty-hate-machine-2010-remastered-edition-2-lps_lEJ7K_e8323bf6-d7ee-4bcf-88c1-2250670de8e2.jpg?v=1779971961","url":"https:\/\/johnshouserecords.com\/products\/nine-inch-nails-pretty-hate-machine-2lp-2010-remaster-mint-m-mint-m","provider":"John's House Records","version":"1.0","type":"link"}