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Now you can start collecting rare records, new releases, and everything in between.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eLearn the basics of buying records at record shops, secondhand stores, and online\u003c\/li\u003e \u003cli\u003eDetermine the value of your collection and learn how to recognize great deals\u003c\/li\u003e \u003cli\u003eSelect the turntable and sound system that are right for your needs\u003c\/li\u003e \u003cli\u003eExplore the history of recorded music and learn why people are going wild for vinyl\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cbr\u003eThis is the perfect Dummies guide for anyone who's ready to get swept up in the excitement of collecting vinyl records, including beginners and seasoned collectors.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cb\u003eNot your grandpa's guide to vinyl\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e Sure, records are groovy. 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B. King\u003c\/b\u003e (Foreword by)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eBlues guitar great and Fleetwood Mac founder, Peter Green, was an enigma throughout his career. His innovative songwriting and unmistakeable voice shot Fleetwood Mac into the mainstream in 1969 with 'Albatross', 'Man of the World', and 'Oh Well'. But in May 1970, he turned his back on stardom and quit the band.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWritten by Green's associate and friend, this biography - first published in 1995, now fully revised and updated - challenges the accepted narrative about why he left the band, and what happened next. It tracks every stage of Green's career, from his semi-pro years playing bass to his rise to fame in John Mayall's Bluesbreakers and Fleetwood Mac. 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More recently, Rolling Stone named it the twenty-fifth greatest album of all time and the hit TV series Glee devoted an entire episode to songs from \u003ci\u003eRumours\u003c\/i\u003e, introducing it to a new generation. Now, for the first time, Ken Caillat, the album's co-producer, tells the full story of what really went into making \u003ci\u003eRumours\u003c\/i\u003e--from the endless partying and relationship dramas to the creative struggles to write and record \"You Make Loving Fun,\" \"Don't Stop,\" \"Go Your Own Way,\" \"The Chain,\" and other timeless tracks.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTells the fascinating, behind-the-music story of the making of Fleetwood Mac's \u003ci\u003eRumours\u003c\/i\u003e, written by the producer who saw it all happen \u003c\/li\u003e\n\u003cli\u003eFilled with new and surprising details, such as Stevie Nicks and Lindsey Buckingham's screaming match while recording \"You Make Loving Fun,\" how the band coped with the pressures of increasing success, how the master tape nearly disintegrated, and the incredible attention paid to even the tiniest elements of songs, from Lindsey playing a chair to Mick breaking glass \u003c\/li\u003e\n\u003cli\u003eIncludes eighty black-and-white photographs \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRumours generated four top-ten singles, topped the Billboard album charts for thirty-one weeks, and won the Grammy Award for Album of the Year in 1977. It went on to become the fifth bestselling album to date--forty million copies and counting--and Rolling Stone's twenty-fifth greatest album of all time. And it turned a band that had struggled to make a name for itself for nearly two decades into a household name. In Making Rumours, the album's coproducer Ken Caillat tells the wild, poignant, and exhilarating story behind the album's creation. Its potent combination of rock-star melodrama, technical insights, and compelling portraits of five brilliant but troubled young artists at their creative peak will forever change the way you hear the album. \u003c\/p\u003e\u003cp\u003eTrouble was brewing well before sessions began at the Record Plant in Sausalito in January 1976. John and Christine McVie were getting divorced. Stevie Nicks and Lindsey Buckingham had joined the band as a couple more than a year earlier, but now they were in a constant state of war. And, unknown to anyone but Caillat's coproducer, Richard Dashut, drummer Mick Fleetwood had just learned that his wife was divorcing him and taking up with his best friend.\u003c\/p\u003e\u003cp\u003eFrom the first session, which featured the rudiments of \"The Chain\" and John McVie improvising the critical bass part that ties it all together, to the final sessions that tempered and polished the songs' vocals, Caillat reveals how these conflicts, fueled by drugs, alcohol, and the pressure of making the album, tore the band apart. But making the music pulled them back together. \u003c\/p\u003e\u003cp\u003eStevie and Lindsey had screaming matches between takes of \"You Make Loving Fun,\" and John and Christine bickered constantly. During takes, however, everyone collaborated brilliantly and did whatever it took to get the sound they needed. Lindsey played a beat against a leather chair on \"Second Hand News\"; Mick stood atop a ladder, tossing sheets of glass to the floor for the haunting end of \"Gold Dust Woman\"; and Christine, at Ken's suggestion, took the stage in an empty theater to record her splendid \"Songbird\" vocal. \u003c\/p\u003e\u003cp\u003eWoven through all of this drama and artistry, Caillat presents a virtual master class in how to produce a great album. He describes everything from microphone placement and how to liven up a \"dead\" room to how to work with difficult artists and what to do when your master tape begins to degrade nine months into the process.\u003c\/p\u003e\u003cp\u003ePacked with scores of never-before-published photos from Caillat's personal collection, Making Rumours is a must-read for Fleetwood Mac fans, rock history buffs, and anyone who loves a behind-the-scenes account of great musicians at work and play.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003ePraise For \"Making Rumours\"\u003c\/p\u003e\u003cp\u003e\"If you've ever wondered what it's like to cut an album with a legendary band who made one of the most popular rock albums in sales and airplay history, then this is the book for you. It's just an incredible story about how songs like 'Dreams' or 'You Make Loving Fun' were created, and the talented musicians who made them, with the help of the producers and engineers who put them down on tape and brought them to life.\"--Tom Johnston, the Doobie Brothers\u003c\/p\u003e\u003cp\u003e\"It's hard to imagine the tensions and freak-outs that go on behind studio doors when a band is making a follow-up to a number one album. But throw in broken relationships between band members and an endless supply of cocaine, and for me as a producer, the next step would be to light the fuse and walk away. Ken Caillat, though, ran the course, and you get to read how he survived (well, almost).\"--Dave Stewart, award-winning songwriter\/producer and founder of Eurythmics\u003c\/p\u003e\u003cp\u003eFor one year in the studio there were massive quantities of drugs, alcohol, tempers, jealousy, doubts, and insecurities. Three couples separated and three couples cheated. But that's just the backdrop.\u003c\/p\u003e\u003cp\u003eThe real story is how the five talented but troubled young musicians of Fleetwood Mac managed to make one of the greatest albums ever recorded. In Making Rumours, coproducer Ken Caillat takes you behind the scenes to witness the personal, creative, and technical challenges he and the band overcame to make music history.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eKen Caillat coproduced Fleetwood Mac's classic 1977 album, Rumours, for which he won the Grammy for Album of the Year. He also produced the group's Tusk, Mirage, and Live albums, as well as their box set, The Chain. He has worked on albums with everyone from George Carlin, engineering his epochal Class Clown, to the London Symphony Orchestra. He is the father of Grammy-winning singer Colbie Caillat, and he produced her number one album, Breakthrough.\u003c\/p\u003e\u003cp\u003eSteven Stiefel has written several books, including contributions to two by LL Cool J. He also works as a magazine writer and editor. 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He was the first guitarist to skillfully blend fiery rock riffs with Latin, blues and sensuous Afro-Cuban rhythms to create a unique and unforgettable sound. His vision to create innovative melodies has earned him a magnitude of critical praise and acclaim over his illustrious career. But, the road to success has been a rocky, uphill climb. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe middle child of seven children, Carlos Santana was born on July 20, 1947 in a tiny Mexican village where the homes were comprised of brick and mud, and there was no running water or lights. But, what his parents couldn't give in material wealth, they heaped upon their children in love. 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Shortly thereafter, rumblings of discontent were echoed within the group with the volatile mixture of drug abuse, personality clashes, and the frustrations over the musical direction the band, ultimately leading to the demise of the group. \u003cp\u003e\u003c\/p\u003eFollowing the breakup, Carlos Santana delved deeper into the meditative arts and spirituality. The succession of albums that followed were greeted with critical acclaim, but moderate success. In the late 90's, Santana begin working on a new album under the creative direction of Clive Davis, head of Arista Records. In a brilliant union of collaborating with younger artists as Lauryn Hill, Wyclef Jean, and Rob Thomas, the album, Supernatural was a commercial smash. It sold over thirteen million copies, and appealed to both the baby boomers and the teenage crowd. 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